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Camille Beaudoin

Co-Founder and CEO

Camille Beaudoin is a mixed blood Indigenous (Cree, Métis, Mohawk) and French-Canadian Writer, Director, and Producer from Treaty Six territory. Camille has spent the last twenty years as CEO and Creative Lead of Mosaic Entertainment, guiding the development, production, and post-production of world-class screen content. Camille story edited, produced, and directed Inheritance, an innovative interactive feature film exploring Indigenous land rights. She also directed six episodes of Lopii Productions’ Couleurs Du Nord, wrote Project Uplift - a rewrite of Pocahontas (Chiefs of Ontario), wrote and directed the inaugural season of the reality series Bears’ Lair (APTN), and is currently producing, writing, and directing on the New Zealand Canada all Indigenous co-pro family adventure series Māui & Elvis.

Camille is an alumnus of the National Screen Institute and Banff Centre for the Arts, Mentor for the Whistler Film Festival Talent Labs, a recipient of Edmonton YWCA’s Woman of Distinction in Arts & Culture award, and Avenue Magazine’s Top 40 under 40. Camille is also proud to be a recent graduate of EAVE’s internationally renowned Access BIPOC Producers program. 

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Eric Rebalkin

Co-Founder and COO

Eric has over 25 years of production experience, quickly working his way up in the industry from PA and sound assistant to becoming a ‘go to’ Producer and Executive Producer of quality screen content.  At Mosaic, Eric heads up all production and business affairs as well as innovation in financing, format, and distribution strategies.  Some of Eric’s many Executive Producer roles include such films as The Order (starring Jude Law and Nicholas Hoult), Locked (starring Bill Skarsgard and Anthony Hopkins), and Re-Ken-Si-Le-A-Shen (APTN).  Eric also served as Consulting Producer on Anna Kendrick’s directorial debut Woman Of The Hour, the Feature Film Only Up (Super Channel), and the CBC series Push.  Eric’s innovative thinking has been instrumental in changing the face of formats, financing, and distribution strategies for production budgets ranging from $100 thousand to $30 million.  He works closely with public and private financiers to find win-win situations that stretch the dollar while still creating incredible high-quality productions in an increasingly competitive industry.  Eric has served on numerous boards including the Alberta Media Production Industries Association board as the VP North, Girls In Film & Television (GIFT) as Board Chair, and the Canadian Media Producers Association labour negotiations committee.

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